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National Socialist culture politics: Change of German fine arts in 30s
Mojžíš, Radek ; Pelánová, Anita (advisor) ; Šafařík, Petr (referee)
This bachelor thesis examines a role of a cultural policy during 1933 and 1937 and its influence on Fine arts. It describes a link between a political power and culture. The thesis itself focuses not only on indiviual acts, but also presumptions creating National socialist cultural politics. The thesis consists of two main parts. The first introduces changes in society and art scene of Weimar Republik. The crucial moment was the Great Depression in 1929 and subsequent radicalization influencing both a society and culture. The rising influence later peaked in nazi's participation in Thuringian governemnt which enabled first attempts to regulate culture. The second part decribes the period after Hitler was appointed Reich Chancellor. First bills affecting culture were passed and process of Gleichschaltung started. It also focuses on a role of institutions, associations and Hitler himself as cultural policy makers. Their main target was to eliminate modern art, which manifested in organizing a defamatory exhibition Entartete Kunst in 1937. At the same time Great German Art exhibition was held. Its main goal was to introduce artists of a new regime. In spite of these efforts, an attempt of creating new national socialist art failed.
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Culture policy of Prague 7: how to create a modern neighbourhood
Srstková, Olga ; Zandlová, Markéta (advisor) ; Špaček, Ondřej (referee)
The submitted thesis analyses cultural politics of Prague 7 municipal district, based on a pilot strategical project of culture planning Art District 7 starting in 2016. The study conducts Charles Landry's concept of Creative Cities and its application in the Czech cities; critically evolve Richard Florida's theory about Creative Classes; and understanding of authenticity by Sharon Zukin. The research methodology uncovers, by comparative analysis, implementation of the project Art District 7 in reality and differences of cultural practices of municipality and the actors themselves. Each chapter of the analytical part is a category of critical viewpoint to cultural politics at Prague 7 district. Transformation of cultural actor's politics (a theater, a hall, a cafe) within 2 years long research at Dolní Holešovice is clearly characterized in individual parts named Community, Space and ART. The chapter Community follows gradual change of cultural actor's relationships towards local inhabitants of the Dolní Holešovice district and presents actor's understanding of themselves as a distinct community. Second chapter emphasizes spacial changes on the interior level of the objects as well as the outer ones on the level of street and parter. Third chapter ART presents different understanding of art and...
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National Socialist culture politics: Change of German fine arts in 30s
Mojžíš, Radek ; Pelánová, Anita (advisor) ; Šafařík, Petr (referee)
This bachelor thesis examines a role of a cultural policy during 1933 and 1937 and its influence on Fine arts. It describes a link between a political power and culture. The thesis itself focuses not only on indiviual acts, but also presumptions creating National socialist cultural politics. The thesis consists of two main parts. The first introduces changes in society and art scene of Weimar Republik. The crucial moment was the Great Depression in 1929 and subsequent radicalization influencing both a society and culture. The rising influence later peaked in nazi's participation in Thuringian governemnt which enabled first attempts to regulate culture. The second part decribes the period after Hitler was appointed Reich Chancellor. First bills affecting culture were passed and process of Gleichschaltung started. It also focuses on a role of institutions, associations and Hitler himself as cultural policy makers. Their main target was to eliminate modern art, which manifested in organizing a defamatory exhibition Entartete Kunst in 1937. At the same time Great German Art exhibition was held. Its main goal was to introduce artists of a new regime. In spite of these efforts, an attempt of creating new national socialist art failed.
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Reviews of french literature inthe book serie Světová četba (World Reading) between years 1948 and 1999
Radváková, Tereza ; Belisová, Šárka (advisor) ; Šotolová, Jovanka (referee)
The diploma thesis Rewievs of French Literature in the Book Series Světová četba (World Reading) between years 1948 and 1999 analyses the forewords of one of the most important Czech book series of the 20th century. The main aim of the thesis is to find out to what extent the contemporary culture policy influenced the content of the respective texts that were published together with the translations of francophonic literature. The author has chosen the method of qualitative analysis, which has provided the basis for the subsequent quantitative analysis. She tries to describe the way in which the slant in the forewords can present itself and to find out if it truly presented itself in the Světová četba book series. As there is not enough processed materials available concerning the book series and the policy of the Odeon publishing house (formerly SNKLU or SNKLHU), the thesis also covers an extensive historiographic background research based on archive materials and controlled conversations with witnesses.
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